28,209 로열티 프리 오디오 트랙들 "Midi Files Of Rhythms And Percussion Music"에 대한

minor 2nd interval melodic

Montgomery-Ward bridge in C (I7-IV7-ii7-V7). Created by Hyacinth (talk) 06:58, 11 June 2010 using Sibelius 5.

Drum pattern, quarter notes on the bass and snare, accompanied by a steady ride pattern of 512th notes. =60.

interval perfect 5th melodic

interval major 6rd melodic

Italiano: Scala di do mixolidio.

I created this file myself to illustrate the concept of interval class.

Tone row from "Tot" ["Lifeless"], Drei Lieder, Op. 48.

Shuffle triplet-like performance.

The most basic ride pattern in rock and other styles. References: Schroedl, Scott (2001). Play Drums Today!, p.9. Hal Leonard. ISBN 0634021850 Eighth-note ride pattern played with triplet swing.

Texas two-step drum pattern associated with the dance step.

Chromatic run from Chopin's Prelude in C Minor, mm.5-6.

Created by Hyacinth (talk) 21:40, 28 July 2008 in Sibelius. Shuffle feel example played straight: with NO shuffle.

Stomp progression in C with staggered thirds, chord roots in red. Created by Hyacinth (talk) 04:06, 17 March 2010 using Sibelius 5.

BACH motif followed by transposed version from Schumann's Sechs Fugen über den Namen B-A-C-H, Op. 60, No. 4, mm. 1-3.

Chopin, op. 28 n. 6, bars 1-3, as quoted by Schenker.

Cadenza from Beethoven's Concerto in C minor, piano part.

Basic half time shuffle.

MIDI file of 'Marie Gavotte by Australian composer Herbert Hedwan CHandler (1865-1941)

Anfang des zweiten Satzes aus Beethovens Opus 109

Basic shuffle rhythm. Created by Hyacinth (talk) 22:04, 28 July 2008 in Sibelius.

Bach, Sinfonia in F minor BWV 795, mm. 1-3. Created by Hyacinth (talk) 22:19, 17 April 2010 using Sibelius 5. See: :Image:Bach,_Sinfonia_in_F_minor_BWV_795,_mm._1-3a.png

Example of the submediant ("triad on VI") used as a dominant preparation.

Satz aus "Bilder einer Ausstellung"

Charles Ives, 3-Page Sonata, first mvt., first fugal complex. The BACH motif from The Art of Fugue Contrapunctus XIXc is the "'1st Theme'/fugue subject" of Ives' combined sonata-allegro and fugal procedures.

Contrasting orchestral groups from the Prelude to the first Act of Parsifal

Beethoven Piano Sonata 21, 1st movement, bars 78-84

Čeština: ragtime Scotta Joplina

From The Star-spangled Banner

Star-spangled Banner opening bars

Bach Toccata in F, BWV 540 bars 197-207

German sixth with 6/4 resolution, generated on Sibelius.

A sample of the traditional jazz ride pattern rhythm/

*Six-hundred-ninety-seventh harmonic on C = E♯. Just: 697/512 = 534.02 cents. Limit: 41-limit. MIDI pitch bend: 113,74

*Eight-hundred-forty-fifth harmonic on C = A♭. Just: 845/512 = 867.37 cents. Limit: 5-limit. MIDI pitch bend: 71,53

*Six-hundred-fifty-first harmonic on C = E+. Just: 651/512 = 415.82 cents. Limit: 13-limit. MIDI pitch bend: 7,69

*68921st harmonic on C = B♯. Equal-tempered: 268921/65536:1 = 87.19 cents. Limit: 41-limit. MIDI pitch bend: 115,59

*Hundred-twenty-seventh harmonic on C = ?. Just: 127/64 = 1186.42 cents. Limit: 41-limit. MIDI pitch bend: 84,91 on M7

MIDI file of 'Roguish Eyes Mazurka' (1920) by Albert Bokhare Saunders (-1946) First published in Palings annual No. 49

Ejemplo de batimiento (acústica). Frecuencias: 440 Hz y 339 Hz.Example of beating (acoustic). Frequencies: 440 Hz and 339 HzNederlands: Voorbeeld van zweving (akoestiek). Frequencies: 440 Hz en 339 Hz

Rauhigkeit 1 Apser = Sinus 1000 Hz und Sinus 1070 Hz gleichzeitig.The sound of a harshness of 1 asper = a sine wave tone of 1000 Hz 100 % modulated with a sine wave tone of 70 Hz at 60 dB sound pressure.

R. Wagner's Tristan Opening. 7-limit 53EDO Approximation.

From Die Zauberflöte, K.620 Wenn Tugend und Gerechtigkeit ... "When virtue and justice spread the path of the great with fame.." These pages contain some of my MIDI sequences of classical music in general midi (GM) format, linked so that you can download or play them by clicking on the links. The sequences are intended to be heard on a computer sound card, and do not include system exclusive messages or controllers other than volume, pan, reverb and chorus. They are all in the public domain. That is, they are no-one's intellectual property: they may be freely copied, adapted, tinkered with and, I hope, surpassed by others.

*Subminor seventh on C = B. Equal-tempered: 219/24:1 = 950 cents. MIDI pitch bend: 0,80 Preceded by:File:Seventeen quarter tones on C.mid

*Tridecimal neutral seventh on C = B♭-. Just: 13:7 = 1071.70 cents. Limit: 13-limit. MIDI pitch bend: 120,86

*Supermajor seventh on C = B/C. Equal-tempered: 223/24:1 = 1150 cents. MIDI pitch bend: 0,80 Preceded by:

*Pythagorean diminished seventh on C = B--- (Ben Johnston's notation). 32768:19683 = 882.40 cents. Limit: 3-limit.

*Pythagorean augmented seventh on C = B♯+++ (Ben Johnston's notation). 531441/262144 = 1223.46 cents. Limit: 3-limit.

*Tridecimal major third on C. Just: 13:10 = 454.21 cents. Limit: 13-limit.

Sound of steel chisel 8th (octave)